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Wednesday, November 6, 2019

Sometime in December, likely on or around the winter solstice, I'll be releasing a second edition of The Longest Road in the Universe: A Collection of Fantastical Tales. My primary reason for doing this is to change the cover and add a story. I love the current cover and always have; Murky Depths commissioned the art from Nancy Farmer when it bought the titular story from me years ago, and I've always thought it captured an important moment in the narrative. But readers have told me it gives the impression that the collection is comprised of horror stories, and it isn't. (It's a mix of science fiction and fantasy.) So I'm changing the cover and moving the art inside to illuminate the story for which it was commissioned. I'm also adding a story first published in the Stolen Island Review in 2003.

Thursday, May 30, 2019

 

The When Words Collide festival has released its tentative final program, so I thought I'd share my itinerary:

Friday 3 PM - Canmore - Fairytales, Fables and Folklore Remade

C.S. MacCath, Carol Parchewsky, Jim Jackson, Ron Oswald [PM]

Fairytale remakes, historical reimaginings, using themes from the past to create a new story. What is being done in today's Young Adult fiction, and how can past inspiration be made new again?

Thursday, May 30, 2019

I've written a short article for the #FolkloreThursday project covering a bit of folklore history, a bit of folklore theory, and a bit of contemporary folklore studies. It's live on the website now, and you can read it at: https://folklorethursday.com/folklore-folklorists/what-is-folklore

Thursday, April 25, 2019

 

 

For the fairy enthusiasts among you, here's a story bundle curated by Sandra Kasturi containing the new F is for Fairy anthology, which includes my short story "B is for Burned/Every Broken Creature." Other contributors include Jane Yolen, Gemma Files, Marie Bilodeau, Nancy Springer, and more! You can buy the bundle here.

Thursday, February 7, 2019

Behold the F is for Fairy cover! This is the sixth instalment of the Alphabet Anthologies series, and it contains my short story dually titled "B is for Burned / Every Broken Creature." Here's the press release:

Wednesday, January 2, 2019

Welcome to Folklore & Fiction, the Internet home of scholar and author Ceallaigh S. MacCath-Moran | C.S. MacCath. I'm a PhD student of Folklore at Memorial University of Newfoundland and the author of two collections of short fiction and poetry. Folklore & Fiction replaces the old C.S. MacCath website but contains all of the original content thanks to the phenomenal web development skills of my beloved husband and business partner, Sean, who built and themed what you see here. 

Some things to know:

First and foremost, the Folklore & Fiction newsletter will launch tomorrow with "An Introduction to Folklore Genres." The focus of this newsletter is folkloric scholarship for writers, and it will be published on the first Folklore Thursday (#FolkloreThursday) of the month except in June and December, when I'll send subscribers an update on my publishing activities. These updates will go out on the summer and winter solstices.  

Monday, June 4, 2018

Editor Rhonda Parrish has announced the title of the next instalment of the ALPHABET ANTHOLOGIES series, which will be F IS FOR FAIRY. I've known about this for some months and have already started work on my own contribution, which will be set in the north of Iceland in the year 1625. Here's the link to Rhonda's announcement.

Wednesday, May 16, 2018

E IS FOR EVIL had a book birthday today! This instalment of the ALPHABET ANTHOLOGIES series contains my story "H is for Hindsight/He Who Steals the Sun Shall Bear its Gravity." Here's the first paragraph:

Monday, January 1, 2018
 
Saturday, July 8, 2017

After the US presidential election last fall, a conversation circulated among my writing colleagues about the kinds of stories we ought to be writing and reading in the face of that terrible moment in history. The conversation wore a number of faces. "Writing as activism" was an important one, where artists were encouraged to make art that reflected their perspectives on world events. Another pointed to the recent spate of post-apocalyptic novels, which were no longer so far-fetched. Still another presented a more practical question: What do readers want to read now, and what do writers want to write?

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