ani-mism noun 1 the attribution of a living soul to plants, inanimate objects, and natural phenomena (Barber 2005, 51).
The When Words Collide festival has released its tentative final program, so I thought I'd share my itinerary:
Friday 3 PM - Canmore - Fairytales, Fables and Folklore Remade
C.S. MacCath, Carol Parchewsky, Jim Jackson, Ron Oswald [PM]
Fairytale remakes, historical reimaginings, using themes from the past to create a new story. What is being done in today's Young Adult fiction, and how can past inspiration be made new again?
I've written a short article for the #FolkloreThursday project covering a bit of folklore history, a bit of folklore theory, and a bit of contemporary folklore studies. It's live on the website now, and you can read it at: https://folklorethursday.com/folklore-folklorists/what-is-folklore
I'm seeing so much disappointment online over the Game of Thrones ending that I want to weigh in a bit more on the series finale than I already have on social media. So here goes:
On the Matter of Prophecy:
Happy book day to F is for Fairy, which contains my short story "B is for Burned/Every Broken Creature." Here's a bit of that story to entice you across the veil:
This blog entry is an effort to externalize my thinking on a possible relationship between the search for authenticity among contemporary Pagans and the problem of racism in contemporary Paganism. I include under the Pagan banner all people practicing a reconstructed or revitalized polytheistic animism, such as Wiccans, Druids, and Heathens. My own practice is a gnostic, hybridized Druidic Heathenry, and I'm a PhD candidate in the Folklore Department at Memorial University of Newfoundland, so my perspective and approach are rooted in these spiritual and intellectual traditions.
To begin, I want to problematize authenticity via the work of Regina Bendix, whose book In Search of Authenticity: The Formation of Folklore Studies has influenced my thinking. She writes that:
Hello, and welcome to the Folklore & Fiction newsletter. In this edition, I'm writing about the personal experience narrative genre with help from scholars William Labov and Joshua Waletzky, Sandra K.D. Stahl, Gillian Bennett, and others, helping you analyse a personal experience narrative, and discussing ways to bring personal experience narratives to your story craft.
Last night I was a guest on CKDU 88.1 community radio's The Witching Hour discussing folkloric aspects of the Satanic Panic, especially as they relate to legend studies. The show is archived in three segments: 7:00-7:30, 7:30-8:00, and 8:00-8:30. You should listen to the whole show, but my contribution begins just after 7:30.
For the fairy enthusiasts among you, here's a story bundle curated by Sandra Kasturi containing the new F is for Fairy anthology, which includes my short story "B is for Burned/Every Broken Creature." Other contributors include Jane Yolen, Gemma Files, Marie Bilodeau, Nancy Springer, and more! You can buy the bundle here.
Hello, and welcome to the Folklore & Fiction newsletter. In this edition, I'm writing about the memorate genre with help from scholars Carl W. von Sydow, Lauri Honko, Diane Goldstein, and others, helping you analyse a memorate, and discussing ways to bring memorates to your story craft.