Ideology and Symbology in European Metal Music: In Search of Context

Sunday, March 25, 2018

This semester I opted to complete a pedagogical project for my Music 7007: Race Gender and Class course in lieu of writing a traditional term paper. This project required me to prepare a graduate-level lecture and teach it to a group of classical musicians. I'll teach that class on Tuesday, and it will be my first time teaching Master's-level students, which is exciting for me. My topic will be the Norwegian metal scene in the 199os, how it shaped European metal thereafter, and the ways Northern European symbols like Thor's Hammer and the Elder Futhark have been used in metal music.

I won't be able to upload the materials for that class to Academia.edu, since the platform doesn't really support the sharing of pedagogical materials. So I'm uploading them here. Please feel free to download them, modify them, and use them in your own teaching.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


    Dr. Ceallaigh S. MacCath-Moran holds hold B.A. in Celtic Studies from the University of Toronto, an M.A. in English and Creative Writing from the University of Maine, and a PhD in Folklore from Memorial University of Newfoundland and Labrador. She is also an author, poet, and musician under the name C.S. MacCath. Her long-running Folklore & Fiction Project integrates these passions with a focus on folklore scholarship aimed at storytellers, and she brings a deep appreciation of animism, ecology, and folkloristics to her own storytelling. You can find her online at csmaccath.com, folkloreandfiction.com, and linktr.ee/csmaccath.

    © 2025 Dr. Ceallaigh S. MacCath-Moran. All rights reserved unless Creative Commons licensing is specifically applied. To read the full "Copyright Statement and Usage Guide," visit https://csmaccath.com/copyright.