Things to Read


The Longest Road in the Universe: A Collection of Fantastical Tales

The Ruin of Beltany Ring: A Collection of Pagan Poems and Tales


Independent Release:
In D is for Dinosaur:
In E is for Evil:


At Astropoetica:
At Goblin Fruit:
At Polu Texni:

New Releases

"H is for Hindsight/He Who Steals the Sun Shall Bear its Gravity"

Amazon Paperback | Amazon Kindle | Goodreads

If Katus watched the sun set, a red stain slipping over the rocky lunar plain of the dome, if he stood transfixed like a tourist by its white companion shining in the distance, he might ignore the way people were staring. An artificial breeze lifted the perfume of the flower garden below. He leaned over the parapet and breathed it in. A small, pure memory for a mind unworthy of it. Somewhere in the outskirts of the Capèmont binary system, the Sun Thief was besieging the most formidable military in known space with all the patience of an indestructible sociopath. Here in the capitol habitat, Katus was bearing the infamy of his siege and all that preceded it, nearly a millennium of piracy. Shoulders squared, he turned to face the foot bridge, and a crowd of frightened civilians recoiled like prey from a raptor's talons.

A far-future galactic pirate is brought to justice for his crimes and learns the meaning of atonement in "H is for Hindsight/He Who Steals the Sun Shall Bear its Gravity." Available now in the E is for Evil anthology.

Book Review of The Tattoo Project: Commemorative Tattoos, Visual Culture, and the Digital Archive

Deborah Davidson (ed.). The Tattoo Project: Commemorative Tattoos, Visual Culture, and the Digital Archive. (Toronto, ON: 2017, Canadian Scholars’ Press Inc. Pp. 222, ISBN 978-1551309453.)

The Tattoo Project: Commemorative Tattoos, Visual Culture, and the Digital Archive is a multidisciplinary, methods-based text edited by Deborah Davidson and published by Canadian Scholars’ Press. Davidson is an Associate Professor of Sociology at York University who specializes in qualitative research of bereavement and commemoration. Her work on both this text and its digital counterpart at reflects a commitment to three key principles. First, both she and several other contributors situate themselves in the scholarship they present, thereby acknowledging the co-creative agency of self and subject. Second, the text and archive are collaborative endeavors involving academics of many backgrounds, tattoo artists, tattooed persons, and others whose diverse perspectives result in a multifaceted and egalitarian exploration of the topic. Third, the concurrent production of both a text and digital archive encourages what contributor Krista Jensen identifies as knowledge mobilization, which “gets research out of academic journals, out of the ivory tower, and into the hands of people” (191).

Read the entire review in issue 37-2 of Ethnologies or on

"D is for Duel/One Who Dies as a God Dies"

Amazon Paperback | Amazon Kindle | Goodreads

Her name is Alejandra Maria Yaotl, and she is desperate to squat here, in this ribbon of grass between armies, to defecate. But her knees do not permit squatting, and she knows the desperation is only a great, killing mass in her bowels making demands of the failing body it consumes from the inside out, a little more every day. So she walks; strands of white hair blowing about her eyes, bent spine unable to straighten, papery hand gripping the rough wooden knob of a cane. The punishing sun shines down on a spill of engine oil, a pool of chlorophyll, a gob of intestine crushed into the soil. Behind, there is a shuttle with a weeping grandson at the helm who begged her to stay home and die in peace. Ahead, there are the towering gates of a city-state that teaches its people how to perform it, a grand theatre of violence caked in the blood of its sacrificial victims, the place where she will die one way or another.

An elderly woman dying of colon cancer challenges a cruel, transhuman demigod to a battle of wits for the sake of her people in "D is for Duel/One Who Dies as a God Dies." Available now in the D is for Dinosaur anthology.

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