Ceallaigh's Blog
This year my focus was entirely on my novel, and it paid off. Twilight of the World Sea People is finished, and the marketing packet will go out in the very near future. I still have edits to finish on Chapters 4-17, but I expect to finish them in good time.
However, I did manage to publish a poem this year and garner a Rhysling nomination:
Poetry
"When I arrived, this is what She said." Goblin Fruit. October 2011.
Rhysling Nomination
"A Path Without Bones." Eternal Haunted Summer. March 2010.
This morning, our beloved cat Samantha went to be with Bast. She was seventeen and frail with end-stage kidney disease. For the veterinarians among my friends, her blood count was 10, and her eyes and gums were white. For the non-veterinarians, this means her kidneys had stopped producing erythropoetin, a hormone that tells the bone marrow to produce red blood cells. She had also begun to smell slightly toxic in spite of her sub-q fluids, and she was weak and sick. The only thing I could get her to eat was tuna. If we had waited any longer to end her life, she almost certainly would have gone into respiratory distress and begun developing ulcers in her mouth and esophagus. There is no recovery when kidneys fail in cats, and it's a hard, ugly death.
But I'm being clinical. Let me tell you about Sam.
Yesterday Sean and I met with our attorney and signed incorporation paperwork. Triskele Media Inc. is now registered with the Nova Scotia Registry of Joint Stock Companies as a business in the province.
We're very happy to be operating in Atlantic Canada; a place of extraordinary beauty where we feel more at home than we ever have in our lives, and we look forward to being part of the region's prosperity.
In the last couple of months (since completion of the novel), a number of unavoidable issues have cropped up and limited my writing time, and this has frustrated my efforts at revision considerably. However, in the last week, I've managed to clear my plate of several outstanding projects and substantial chunk of life-detritus so that I can proceed with something more closely resembling a regular schedule. To that end, I fear I must make an Internet Pronouncement of the sort one reads from time to time in the blogs of other writers.
I'm presently putting together a marketing packet for my novel and working my way through revisions. On the heels of that, I have major plotting work to do for the rest of the series and a second novel to start. In the past, I've had the luxury of putting down my work for a day or a week if necessary in order to take care of other things. However, if I expect to be taken seriously as a professional, I can't afford to do that anymore.
I'm delighted to report that the first volume of the critically-acclaimed Clockwork Phoenix anthology series is now available for Kindle. This volume includes my story "Akhila, Divided", which received honorable mention in The Year's Best Science Fiction: Twenty-Sixth Annual Collection, edited by Gardner Dozois.
I read once that Islamic artists deliberately leave imperfections in their work, because only Allah has the right to be perfect. I also read once that stories are never truly finished; they are merely abandoned. In the spirit of these things, I progress through the final edits of my novel.
Bi-la kaifa.
This morning I drove out to Seaforth to volunteer in the gift shop for Hope for Wildlife's Old-Fashioned Christmas By the Sea. Fortunately, as I am not the volunteering-in-a-gift-shop sort, I was soon tasked with pickups and spent the day rescuing two injured crows.
The first was near downtown Halifax in a neighborhood largely populated with Dalhousie students and professors. The young woman who called the crow in gave excellent directions, and I found it beneath a tree beside a church parking lot, hobbled with what appeared to be a broken wing. Its companion high in the trees alerted it to my arrival and screeched a warning while I chased it into a corner of the church's architecture and covered it with a blanket. The crow went still, as most birds do when covered that way, and I was able to package it into a carrier and put it in the car.
Some of you might remember that I participated with a number of local Gaelic singers in a recording of traditional songs at the An Cliath Clis milling frolic last spring. The CD that was to be made of that recording is on indefinite hold for various reasons. Should anything change on that front, I'll post a note.
However, I do have word from Siol Cultural Enterprises that the short film Ruidhle An Fhìdhleir will be out soon. That's the film the usual suspects among us helped to finish as sound extras one afternoon last summer. When it's released, I'll post a note about that as well, along with a link for purchase.
As part of our weekly instruction in Gaelic class last night, we were talking about recent events in our lives, and our teacher asked me about Hal-Con. This precipitated a discussion of my guest appearance there next year and a question about the kind of science fiction I write. Now, I don't have the Gaelic to describe it yet, so I slipped into English and called it sociological science fiction. When that definition didn't quite suffice I offered 'serious science fiction', which it is, to some degree.
One of my fellow students, a man some years older than me responded in a way I'm sure most of the spec. fic. writers and readers on my f-list have encountered before:
Said Student: (smirk) Serious science fiction? Serious? Serious? (and later) Serious science fiction? That's an oxymoron.
I've just returned from closing ceremonies at Hal-Con 2011 and can finally announce that I'll be appearing there next year as a guest. It's a fun convention, and I'm delighted the committee has offered me this opportunity. I'll also be putting together a workshop or two for the con between now and then and will post more information about that when I have it.
