Hello, and welcome to the Folklore & Fiction newsletter. In this edition, I'm writing about the ballad genre with help from scholars Gordon Hall Gerould, David Buchan, Roger deV. Renwick and others, helping you analyse a ballad, and discussing ways to bring ballads to your story craft.
ani-mism noun 1 the attribution of a living soul to plants, inanimate objects, and natural phenomena (Barber 2005, 51).
The When Words Collide festival has released its tentative final program, so I thought I'd share my itinerary:
Friday 3 PM - Canmore - Fairytales, Fables and Folklore Remade
C.S. MacCath, Carol Parchewsky, Jim Jackson, Ron Oswald [PM]
Fairytale remakes, historical reimaginings, using themes from the past to create a new story. What is being done in today's Young Adult fiction, and how can past inspiration be made new again?
I've written a short article for the #FolkloreThursday project covering a bit of folklore history, a bit of folklore theory, and a bit of contemporary folklore studies. It's live on the website now, and you can read it at: https://folklorethursday.com/folklore-folklorists/what-is-folklore
I'm seeing so much disappointment online over the Game of Thrones ending that I want to weigh in a bit more on the series finale than I already have on social media. So here goes:
On the Matter of Prophecy:
Happy book day to F is for Fairy, which contains my short story "B is for Burned/Every Broken Creature." Here's a bit of that story to entice you across the veil:
This blog entry is an effort to externalize my thinking on a possible relationship between the search for authenticity among contemporary Pagans and the problem of racism in contemporary Paganism. I include under the Pagan banner all people practicing a reconstructed or revitalized polytheistic animism, such as Wiccans, Druids, and Heathens. My own practice is a gnostic, hybridized Druidic Heathenry, and I'm a PhD candidate in the Folklore Department at Memorial University of Newfoundland, so my perspective and approach are rooted in these spiritual and intellectual traditions.
To begin, I want to problematize authenticity via the work of Regina Bendix, whose book In Search of Authenticity: The Formation of Folklore Studies has influenced my thinking. She writes that: