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Book Review of The Tattoo Project: Commemorative Tattoos, Visual Culture, and the Digital Archive

Deborah Davidson (ed.). The Tattoo Project: Commemorative Tattoos, Visual Culture, and the Digital Archive. (Toronto, ON: 2017, Canadian Scholars’ Press Inc. Pp. 222, ISBN 978-1551309453.)

The Tattoo Project: Commemorative Tattoos, Visual Culture, and the Digital Archive is a multidisciplinary, methods-based text edited by Deborah Davidson and published by Canadian Scholars’ Press. Davidson is an Associate Professor of Sociology at York University who specializes in qualitative research of bereavement and commemoration. Her work on both this text and its digital counterpart at thetattooproject.info reflects a commitment to three key principles. First, both she and several other contributors situate themselves in the scholarship they present, thereby acknowledging the co-creative agency of self and subject. Second, the text and archive are collaborative endeavors involving academics of many backgrounds, tattoo artists, tattooed persons, and others whose diverse perspectives result in a multifaceted and egalitarian exploration of the topic. Third, the concurrent production of both a text and digital archive encourages what contributor Krista Jensen identifies as knowledge mobilization, which “gets research out of academic journals, out of the ivory tower, and into the hands of people” (191).

Read the entire review in issue 37-2 of Ethnologies or on Academia.edu.

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Random Quote

People must have renounced, it seems to me, all natural intelligence to dare to advance that animals are but animated machines.... It appears to me, besides, that [such people] can never have observed with attention the character of animals, not to have distinguished among them the different voices of need, of suffering, of joy, of pain, of love, of anger, and of all their affections. It would be very strange that they should express so well what they could not feel.

Traité sur la tolerance

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